Historical royalty payments are no indication of future royalty payments. Future payments are dependent on the future recording sales and licenses deriving from the sound recordings comprising the Catalog, which is largely dependent on continued commercial success of the Artist.

 

This collection includes 5 songs written by prolific country songwriter Dave Gibson.The collection has three years of financial data — from 2011 to 2013 — for which the average yearly return is $2,874. It includes a number of hit songs such as Lonely and Gone, Queen of Memphis, and Jukebox in My Mind.  Many songs topped Billboard charts in the U.S. and Canada. These songs are still being covered and sampled by artists today.

The financial data below represents royalty revenue from 2011(Q1) – 2013 (Q4)

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 (For questions regarding this data please contact us at Auctions@RoyaltyExchange.com)

TOTAL ROYALTY REVENUE (2011-2013)

Payments reflect earned dates, not date paid. 4Q2013 earned royalties represent the last BMI payment made.

To view the full size of each chart/graph, please click on the image

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 Below is the yearly revenue generated by the stream for the last 3 years:

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Royalties By Song (2011-2013)

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This listing includes 5 songs written by prolific country songwriter Dave Gibson. The songs in this collection are as follows:

  • Jukebox in My Mind by Alabama – Peaked at #1 on the Billboard US Hot Country Songs Chart in 1990
  • If It Don’t Come Easy by Tanya Tucker – Peaked at #1 on the Billboard US Hot Country Songs Chart in 1988
  • Queen of Memphis by Confederate Railroad – Peaked at #2 on the Billboard US Hot Country Songs Chart in 1992
  • Lonely and Gone by Montgomery Gentry – Peaked at #5 on the Billboard US Hot Country Songs Chart in 1999
  • Daddy Never Was the Cadillac Kind by Confederate Railroad – Peaked at #9 on the Billboard US Hot Country Songs Chart in 1994

These songs are still being covered and sampled by artists today.

About Dave Gibson:

Born in El Dorado, Arkansas and raised in Odessa, Texas, Gibson grew up loving music and, in particular, songwriters. Buddy Holly and Roy Orbison were two Texans who most influenced his vocal stylings, and later Elvis Presley’s dynamic and commanding performances gave Gibson something more to strive for.

Gibson was always drawn to the story-telling part of country music.  It wasn’t long before the jaded office doors of Music Row creaked open and Gibson found himself in front of an array of power brokers, including producers Tony Brown, Norro Wilson, Oak Ridge Boys, Duane Allen, and eventually, Doug Johnson. He landed a publishing deal with The Oak Ridge Boys’ company, Silverline Music, and began co-writing with a who’s who of hit makers. The industry soon began to take notice of this fledgling writer and he started getting cuts by Steve Wariner, Joe Diffie, Confederate Railroad, Tanya Tucker, Alabama, Pam Tillis, and Montgomery Gentry. He earned six number ones, and Alabama’s “Juke Box in My Mind” stayed at number one for an impressive four weeks.

Dave soon became a much sought after writer and writing partner in Nashville and the video below, provided by Dave Gibson’s team, gives an overall view of Dave Gibson’s lengthy career. NOTE: The video mentions some songs that are NOT included in this investment.

Dave Gibson

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Historical royalty payments are no indication of future royalty payments. Future payments are dependent on the future recording sales and licenses deriving from the sound recordings comprising the Catalog. These materials are intended for and limited to Royalty Exchange’s registered Accredited Investors and should not be forwarded, shared or distributed to any other party.

 
 

This listing includes 25% of Martin Blasick’s BMI writer’s share of public performance royalties to a collection of songs recorded by Lindsay Lohan, Matthew McConaughey and many others. Songs written by Blasick are included in the movies and TV Shows Confessions of a Teenage Drama QueenMagic Mike, TMZ, Play It To The BoneKung Pow: Enter the FistKinsey and more. To see the full list of assets, please “Download Raw Financial Data” below.

 

Download Raw Financial Data

 
 

TOTAL ROYALTY REVENUE (2010 Q4 – 2013 Q4)

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All royalty numbers are current and paid through Q1 of 2014. They can lag from when earned by as much as 6 months depending on the royalty payor (BMI). 

 

Past Year Total = $4,910.10

3 Year Average = $4,609.14

 

Total Royalty Revenue

 

Total Royalty Revenue Chart

 
 

TOP ROYALTY REVENUE BY TITLE (2010 Q4 – 2013 Q4)

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Royalty Revenue by Title

 
 

TOP ROYALTY REVENUE BY TV/FILM (2010 Q4 – 2013 Q4)

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The royalties from this listing are used in 248 TV shows and/or films (according to the historical financial data).

 

 Top Royalty Revenue by TV Show/Film

 
 

TOP ROYALTY REVENUE BY SOURCE (2010 Q4 – 2013 Q4)

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The royalties from this listing are used in 111 sources (according to the historical financial data).

 

Top Royalty Revenue by Source

 

Top Royalty Revenue by Source

 
 

FOREIGN & DOMESTIC ROYALTY REVENUE (2010 Q4 – 2013 Q4)

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Foreign and Domestic Revenue

 

Foreign and Domestic Revenue

 
 

TOP ROYALTY REVENUE BY COUNTRY (2010 Q4 – 2013 Q4)

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The royalties from this listing are used in 51 countries (according to the historical financial data).

 

Top Revenue by Country

 

MARTIN BLASICK

Since his first music cue in Earth Girls Are Easy, Martin has provided scores, songs, cues, arrangements and productions for a stylistically diverse array of television shows and films. Traditional music includes operatic classics for The 4th Tenor and big band jazz for the TV series Army Wives. Pop music includes Lindsey Lohan singing Martin’s song “Don’t Move On” onscreen in Confessions Of A Teenage Drama Queen and producing “Miracles Happen” for the certified gold soundtrack album for Princess Diaries 2. Martin produced and co-wrote, with Matthew McConaughey, “Ladies Of Tampa” from the film  Magic Mike.

Martin produced celebrity vocal tracks for Brendan Fraser, Mary Steenburgen, Denise Richards, Eddie Griffin, Rodney Dangerfield, Denis Leary, Anne Hathaway, Heather Graham and more. His music appears in Ocean’s 12 and Ocean’s 13, The Matador, Kyle XY, Bedazzled, Ugly Betty, Lost, The Reaper, Undercover Brother, Kinsey, Samantha Who and many more.

Martin performs as a singer-songwriter having released three albums and an EP as a solo artist. He is a member of the band Snowflakes. Additional endeavors including writing screenplays and movie directing.

WHAT IS PRODUCTION MUSIC?

Production music is the name given to recorded music that can be licensed to customers for use in film, television, radio and other media.

The business model of production music is based on two income streams:

  • License or synchronization fees: These are the fees paid upfront to the library for permission to synchronize its music to a piece of film, video or audio. These fees can range from a few dollars for an internet usage, to thousands for a network commercial usage.
  • Performance income (or performance royalties): Performance income is generated when music is publicly performed – for example, on television or radio. The producer of the show or film that has licensed the music does not pay these fees. Instead, large fees are paid annually by broadcasters (such as television networks and radio stations) to performing rights organizations such as ASCAP, BMI and SESAC in the US and the PRS in the UK, who then distribute income among their members. To ensure it is distributed fairly and accurately, most broadcasters are required to keep note of what music they have broadcast and for how long. This information is then used by the performance societies to allocate income to their members. Typically, a library will receive 50 percent of the performance income (this is known as the publisher’s share) and the composer recieves the remaining 50 percent. Like license fees, performance income is highly variable and dependent on the nature of the usage; local radio usage can yield modest income – perhaps a few dollars each time it is played. Repeated use in a primetime network TV show could generate thousands of dollars.

Click here to learn more about production music.

 

LINKS

TMZ

This is the second auction listing 25% of Martin Blasick’s BMI writer’s share of public performance royalties from a collection of songs.

Select songs and cues written by Blasick in this listing are used in TV shows and movies including Confessions of a Teenage Drama Queen, Magic Mike, TMZ, Play It To The Bone, Go, Keeping Up With The Steins and many more.

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